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![]() | Oliver JonesFrom Lush To LivelyLabel: Justin Time | Jazz | September 11, 1995Format UPC Order # Unit Price |
Credits Hun Bang violin Guido Basso trumpet Marc Bélanger viola Christopher Best cello Arnie Chycoski trumpet Céline Cléroux cello Alex Dean saxophone Philippe Dunnigan violin Alain Giguère violin Sylvie Harvey violin John Johnson saxophone Oliver Jones piano Al Kay trombone Bob Leonard saxophone Bob Livingstone trombone Denise Lupien violin Francine Lupien-Bang viola John MacLeod trumpet Marcelle Mallette violin Florence Mallette violin Rob McConnell trombone Steve McDade trumpet Ernie Pattison trombone P.J. Perry saxophone Olga Ranzenhofer violin Jim Vivian bass Reginald Washington drums Rick Wilkins saxophone (on track 06) | TracksNo Title Duration Excerpts 01 The Way You Look Tonight 00:05:34 02 Why Think About Tomorrow 00:05:41 04 We Will Love Again 00:04:45 05 Swinging On A Star 00:05:55 06 Jazz Gavotte 00:05:26 07 The Very Thought Of You 00:05:32 09 Our Love Is Here To Stay 00:04:42 11 Blues For Helene 00:06:56 Liner NotesOliver Jones and I had often dreamt of producing a big band recording, one with strings featured prominently. We'd produced twelve sessions with Oliver as leader, in various formats (trios, duos. solos, quartets), but we had never attempted a project so ambitious.Things changed in early June 1995 when we learned that Rob McConnell and The Boss Brass would soon be performing at Montreal's Place-Des-Arts. Seizing the opportunity, we contacted long-time band member; Rick Wilkins, (also a superb arranger and conductor) to ask if he would be interested in arranging eleven compositions shortlisted for our project with Oliver. He agreed, and the results (performed by some of the Boss Brass) were simply astonishing! The music is top-notch: four of the tunes were written by Oscar Peterson, with three by Oliver and the rest standards (including such gems as `Swinging On A Star'. Oliver is in fine form. His gracefulness and maturity are qualities I especially treasure, and these attributes are imbued in each, note, each chord and every phrase, all beautifully supported by some of this country's best jazz musicians. The role of arranger is crucial. One can have good material, but the arrangements give this material an identity. Rick Wilkins has more than accomplished this goal, making his work speak directly to the listener - the ultimate goal of any good arranger. Oliver claims he's working his way towards semi-retirement, yet his increasing popularity worldwide is making it more and more difficult to realize this objective. If reactions to this recording are what we imagine, I think retirement will be an impossibility! Bravo Oliver! - Jim West, October 1995 |
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