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Live At Le Bijou

Ranee Lee

Live At Le Bijou

Label: Justin Time | Jazz | May 4, 1984
Format
UPC
Order #
Unit Price
CD
068944000227
JUST 2-2
$ 18.99



Production Credits



Tracks

No
Title
Duration
Excerpts
01
Med-Lee: It Don't Mean A Thing / On The Street Where You Live / Just In Time / All Of Me / Take The 'A' Train
00:06:06
ogg   mp3  
02
The Lady Is A Tramp
00:04:09
ogg   mp3  
03
I Only Have Eyes For You
00:03:22
ogg   mp3  
04
Hallelujah, I Love Him So
00:04:30
05
Ridin' High
00:03:00
06
Honeysuckle Rose
00:05:11
07
Guess Who I Saw Today
00:04:27
08
All Right, Okay, You Win
00:06:24
09
Loverman
00:05:59
10
Summertime
00:05:09

Liner Notes

There are folks who'll tell you that the toughest jazz instrument to play is the voice.

It makes sense. Tough indeed to come up with vocal pipes that can go up against a steamy sax, double-clutching piano or rough-riding trumpet. But when you hear a voice that can, the hairs standing at attention on the back of your neck testify to the fact that something very special is going on.

So meet Ranee Lee.

Or maybe you've already met her; as pop, rhythm & blues or rock singer. Or actress. Or dancer. She is all those things, and with a lot of zest, flair, talent and polish. So much polish, in fact, that when rumours about Ranee's jazz singing began to surface, habitués of Montreal's bar and club crowd were muttering, "Jazz? Oh come on, you're kidding! She's too... popular!"

But those bet-hedgers are the same ecstatic people you hear carrying on, oohing and aahing and applauding on this album; Ranee's jazz debut on record.

Ranee grew up with jazz and gospel in New York City, and she's ripe and ready to spread the word here in Montreal, with a voice that paints this collection of tried-and-true favorites with a whole palette of sounds. Listen to the satiny glide on "It don't mean a thing" ... the ecstatic shout on "Hallelujah I Love Him So"... (wouldn't you love to hear a Ray Charles / Ranee Lee remake of this one?)... the sassy, I-like-a-man-who-takes-his-time sashay on "Honeysuckle Rose". The musicians are with her all the way, giving her the kind of pot-boiling support that players put out for a vocalist who's earned their love and respect. And on every tune, as she's stamping her signature on lyrics that suddenly seem new, Ranee Lee is obviously having a ball!

So pour yourself your favorite taste, put an arm around someone, someone you love, and let Ranee entertain you... with jazz. And if this is her first jazz album, just imagine her second... And her third... And her fourth.

Katy Malloch
Host of CBC Stereo's Jazz Beat.
Montreal, February 1984



Having spent the better part of seven years in Montreal without ever hearing Ranee Lee sing, I finally kept a long-standing promise to myself and caught up with her at the Biddies Club late last fall.

I was knocked out by her dynamism, and my review of that performance lauded “Lee, the consummate pro, breathing new life into her dazzling repertoire of jazz standards.”

That observation, based as it was on sampling a couple of sets, certainly stands up as a description of this entire album.

When Ranee Lee tackles these jazz standards, it's like listening to them for the first time all over again. If you haven't heard Ranee Lee before - don't make the same mistake as I did. If you have, you won't need any persuading.

Gary Steckles
Entertainment Editor, The Gazette
Montreal, February 1984


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